Quintet No. 5 in D major (G 449) for 2 Violins, Viola, Violoncello and Guitar by Luigi Boccherini String Orchestra - Sheet Music

By Luigi Boccherini

The Quintets nos. 1-7, 9 and the 12 Variazioni sulla Ritirata di Madrid, for guitar and string quartet, are not listed in Boccherini’s autograph catalogues, nor in the Catalogo Boccherini y Calonje, nor in the Catalogue Baillot. However they are mentioned in the Catalogue Picquot, and they have come down to us through three non-autograph manuscripts and three unauthorized printed editions of the early twentieth century. The documentary evidence establishes their authorship, their dating and the relevant musical source, as the single movements for the most part are transcriptions of compositions for other instrumental settings.The primary source of the Quintets 1-6 is ms. Wc, Washington (DC), Library of Congress, Ms. M. 574. B Case, olim M. 572. B65 Case [RISM A/II: deest]. Written in Madrid in 1811 by François de Fossa, it derives from a copy prepared by Boccherini for the commissioner of the pieces, Francisco Borja de Riquer y de Ros, marquis of Benavent, an amateur guitarist and patron of Boccherini from 1796.

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Details

Instrument:
Acoustic Guitar Classical Guitar Violin
Ensembles:
String Orchestra
Genres:
Classical Period
Composers:
Luigi Boccherini
Publishers:
Ut Orpheus
ISBN:
9790215319608
Format:
Set of Parts
Item types:
Physical
Artist:
Luigi Boccherini
Usages:
School and Community
Size:
9 x 12 inches
Shipping Weight:
0.56 pounds

Guitar; Chamber Music for Strings

SKU: UT.PEB-31B

For 2 Violins, Viola, Violoncello and Guitar. Composed by Luigi Boccherini. Edited by Andrea Schiavina; Fulvia Morabito. Saddle stitching. Luigi Boccherini Opera Omnia. Classical. Set of Parts. Ut Orpheus #PEB 31B. Published by Ut Orpheus (UT.PEB-31B).

ISBN 9790215319608. 9 x 12 inches.

The Quintets nos. 1-7, 9 and the 12 Variazioni sulla Ritirata di Madrid, for guitar and string quartet, are not listed in Boccherini’s autograph catalogues, nor in the Catalogo Boccherini y Calonje, nor in the Catalogue Baillot. However they are mentioned in the Catalogue Picquot, and they have come down to us through three non-autograph manuscripts and three unauthorized printed editions of the early twentieth century. The documentary evidence establishes their authorship, their dating and the relevant musical source, as the single movements for the most part are transcriptions of compositions for other instrumental settings.

The primary source of the Quintets 1-6 is ms. Wc, Washington (DC), Library of Congress, Ms. M. 574. B Case, olim M. 572. B65 Case [RISM A/II: deest]. Written in Madrid in 1811 by François de Fossa, it derives from a copy prepared by Boccherini for the commissioner of the pieces, Francisco Borja de Riquer y de Ros, marquis of Benavent, an amateur guitarist and patron of Boccherini from 1796.