22522884
Psalm 130
22522884
22522884
22522884
Copyright Material for Preview Only - Sheet Music Plus
Soprano voice, SATB chorus - Grade 2
SKU: CA.7070210
Out of the depth. Composed by Heinrich Kaminski. Edited by Barbara Großmann. Carus digital: Notenausgabe als PDF. Carus digital: Notenausgabe als PDF. Score. Composed 1910. Op. 1a. Duration 4 minutes. Carus Verlag #CV 70.702/10. Published by Carus Verlag (CA.7070210).
ISBN 9790007299538. 8.27 x 11.69 inches. German.
Heinrich Kaminski’s first work, Psalm 130, op. 1a, is one of his most popular compositions. Kaminski began his compositional career late, only after he studied economics in Heidelberg. He was professor at the Prussian Academy of Arts in Berlin, teaching alongside Arnold Schoenberg, but then withdrew to the small Bavarian village of Ried when the Nazis came to power. His compositions are not tied to any particular set of religious beliefs, since Kaminski believed the act of composing was itself a "sacred act". Throughout his life, Kaminski navigated his own path between the competing currents of late-Romanticism and Modernism.
Soprano voice, SATB chorus - Grade 2
SKU: CA.7070210
Out of the depth. Composed by Heinrich Kaminski. Edited by Barbara Großmann. Carus digital: Notenausgabe als PDF. Carus digital: Notenausgabe als PDF. Score. Composed 1910. Op. 1a. Duration 4 minutes. Carus Verlag #CV 70.702/10. Published by Carus Verlag (CA.7070210).
ISBN 9790007299538. 8.27 x 11.69 inches. German.
Heinrich Kaminski’s first work, Psalm 130, op. 1a, is one of his most popular compositions. Kaminski began his compositional career late, only after he studied economics in Heidelberg. He was professor at the Prussian Academy of Arts in Berlin, teaching alongside Arnold Schoenberg, but then withdrew to the small Bavarian village of Ried when the Nazis came to power. His compositions are not tied to any particular set of religious beliefs, since Kaminski believed the act of composing was itself a "sacred act". Throughout his life, Kaminski navigated his own path between the competing currents of late-Romanticism and Modernism.
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