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For piano. Composed by James Drew. This edition: saddle-wire stitch. Sws. Performance Score. With Standard notation. 3 pages. Theodore Presser Company #110-40610. Published by Theodore Presser Company (PR.110406100).
ISBN 9781491112137. UPC: 680160000968. 18 x 12 inches.
A) All tempo indications are approximate. B)Changes from Ped to sostenuto ped or reverse are always made in order to create overlapping density regions against which the more well-defined music can be projected. C) The general mode of articulation is legato wherever possible. D)When a portion of the msuic is boxed in by a dotted line with an indication to repeat a certain number of times, only the music within the box should be repeated. E) The music appearing upon the small staff lines should be played by making room for it in between the principal material. Accurate rhythm is not the principal goal, but rather the energies resulting from the intrusions of the other material into the general time framework. Sometimes this can be done very easily, but other times it becomes a challenge. All of the components in this type of situation must be considered as being in approximate relation. F)Indicates a cluster . G) These indicate lowest and highest pitch. H)The final (tremolo) chord: all pitches vibrating together. The music should fade very gradually rather than end in the usual way.
For piano. Composed by James Drew. This edition: saddle-wire stitch. Sws. Performance Score. With Standard notation. 3 pages. Theodore Presser Company #110-40610. Published by Theodore Presser Company (PR.110406100).
ISBN 9781491112137. UPC: 680160000968. 18 x 12 inches.
A) All tempo indications are approximate. B)Changes from Ped to sostenuto ped or reverse are always made in order to create overlapping density regions against which the more well-defined music can be projected. C) The general mode of articulation is legato wherever possible. D)When a portion of the msuic is boxed in by a dotted line with an indication to repeat a certain number of times, only the music within the box should be repeated. E) The music appearing upon the small staff lines should be played by making room for it in between the principal material. Accurate rhythm is not the principal goal, but rather the energies resulting from the intrusions of the other material into the general time framework. Sometimes this can be done very easily, but other times it becomes a challenge. All of the components in this type of situation must be considered as being in approximate relation. F)Indicates a cluster . G) These indicate lowest and highest pitch. H)The final (tremolo) chord: all pitches vibrating together. The music should fade very gradually rather than end in the usual way.
Preview: Primero Libro de Referencia Laberinto
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