Piano Concerto [No. 9] in E flat major K. 271 Jenamy Concerto (formerly known as Jeunhomme Concerto) – Urtext by Wolfgang Amadeus Mozart Orchestra - Sheet Music

By Wolfgang Amadeus Mozart

Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, "Urtext" signifies an eschewal of a "final version" that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: "Standardization is the greatest aesthetic threat in the performance of Mozarts concertos." To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.

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Details

Instrument:
Harpsichord Piano
Ensembles:
Orchestra
Genres:
Classical Period
Composers:
Wolfgang Amadeus Mozart
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Score Library
ISBN:
9790004210888
Format:
Score
Item types:
Physical
Musical forms:
Concerto
Artist:
Wolfgang Amadeus Mozart
Usages:
School and Community
Number of Pages:
120
Size:
9 x 12 inches
Shipping Weight:
1.23 pounds

Piano/harpsichord and orchestra (solo: pno – 0.2.0.0. – 2.0.0.0. – str)

SKU: BR.PB-5300

Jenamy Concerto (formerly known as Jeunhomme Concerto) – Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert Cliff u. Levin Eisen. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Busoni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Solo concerto; Classical. Full score. 120 pages. Duration 35:00. Breitkopf and Haertel #PB 5300. Published by Breitkopf and Haertel (BR.PB-5300).

ISBN 9790004210888. 9 x 12 inches.

Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, "Urtext" signifies an eschewal of a "final version" that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: "Standardization is the greatest aesthetic threat in the performance of Mozarts concertos." To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.