Piano Concerto by Sir Michael Tippett Orchestra - Digital Sheet Music

By Sir Michael Tippett

Tippett’s Piano Concerto - written between 1953 and 1955 - may be seen as both a mid-20th-century commentary upon, and a reaction against, the former heroic and percussive concerto types. Its initial inspiration came when Tippett heard Gieseking rehearse the first movement of Beethoven’s Fourth Piano Concerto for a concert in 1950. Tippett later wrote of the genesis of his own concerto: ‘Under the influence of an exceptionally poetic yet classical performance of the Beethoven movement, I found myself persuaded that a contemporary concerto might be written, in which the piano is used once again for its poetic capabilities.’ Apart from the self-acknowledged Beethovenian influences, the main influence on the musical language of the concerto, as Tippett himself acknowledges, was his own opera The Midsummer Marriage, which he had just finished. As the composer himself comments on his concerto, ‘the music is rich, linear, lyrical, as in that opera.&rsquo

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Details

Instrument:
Piano Solo
Ensembles:
Orchestra
Genres:
Classical
Composers:
Sir Michael Tippett
Publishers:
Ernst Eulenburg & Co. GmbH - Digital
Format:
Miniature Score
Item types:
Digital
Musical forms:
Concerto
Artist:
Sir Michael Tippett
Usages:
School and Community

Piano and orchestra - Digital Download

SKU: S9.Q21224

Composed by Sir Michael Tippett. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Study score. Duration 32 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21224. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21224).

Tippett’s Piano Concerto - written between 1953 and 1955 - may be seen as both a mid-20th-century commentary upon, and a reaction against, the former heroic and percussive concerto types. Its initial inspiration came when Tippett heard Gieseking rehearse the first movement of Beethoven’s Fourth Piano Concerto for a concert in 1950. Tippett later wrote of the genesis of his own concerto: ‘Under the influence of an exceptionally poetic yet classical performance of the Beethoven movement, I found myself persuaded that a contemporary concerto might be written, in which the piano is used once again for its poetic capabilities.’ Apart from the self-acknowledged Beethovenian influences, the main influence on the musical language of the concerto, as Tippett himself acknowledges, was his own opera The Midsummer Marriage, which he had just finished. As the composer himself comments on his concerto, ‘the music is rich, linear, lyrical, as in that opera.&rsquo.

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  • Preface

  • Allegro

  • Non Troppo

  • Molto lento e tranquillo

  • Vivace