Peter Maxwell Davies: Strathclyde Concerto No. 4 (Clarinet Part) by Sir Peter Maxwell Davies Clarinet Solo - Sheet Music

By Sir Peter Maxwell Davies

Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big, ranging piece, in two linked movements. The first, fast with a brief slow introduction, has the soloist in propulsive melodic flights slipping over into florid runs, but it is a virtuoso piece for the orchestra, especially for the marimba and pair of horns. The Adagio that follows is in the spare, cold, birdcall-riven style of other recent Davies slow movements, exploiting first the clarinet's low register and then, at its climax, the instrument's high extremes. A cadenza leads to the coda, where Davies introduces a Scots tune, previously hinted at, with which he brings the work to an end in F sharp major. Clarinet part with piano reduction of the orchestral score.

Print edition
$20.13
$27.95
You save: $7.82 ~ 28%

WELCOME20 activated

Ships in 2 to 3 weeks
Special order item, ships once received from publisher.
Quantity save 5% on 2 or more
1
Get a 10% discount with SMP Plus subscription

Details

Instrument:
Piano Accompaniment Clarinet Solo
Genres:
Classical
Composers:
Sir Peter Maxwell Davies
Publishers:
Chester Music
ISBN:
9780711933545
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Concerto
Artist:
Sir Peter Maxwell Davies
Usages:
School and Community
Number of Pages:
64
Shipping Weight:
0.09 pounds

Clarinet and Piano (Clarinet)

SKU: HL.14008425

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 64 pages. Chester Music #CH60876. Published by Chester Music (HL.14008425).

ISBN 9780711933545.

Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big, ranging piece, in two linked movements. The first, fast with a brief slow introduction, has the soloist in propulsive melodic flights slipping over into florid runs, but it is a virtuoso piece for the orchestra, especially for the marimba and pair of horns. The Adagio that follows is in the spare, cold, birdcall-riven style of other recent Davies slow movements, exploiting first the clarinet's low register and then, at its climax, the instrument's high extremes. A cadenza leads to the coda, where Davies introduces a Scots tune, previously hinted at, with which he brings the work to an end in F sharp major. Clarinet part with piano reduction of the orchestral score.

  • Strathclyde Concerto No. 4