5947372
Overture for 7 C Major
5947372
5947372
5947372
Copyright Material for Preview Only - Sheet Music Plus
Orchestra - intermediate
SKU: HL.49001813
Set of Supplementary Parts. Composed by Georg Philipp Telemann. Edited by Guenter Kehr. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 78 pages. Duration 23'. Schott Music #CON 154-60. Published by Schott Music (HL.49001813).
ISBN 9790001024150. 9.0x12.0x0.28 inches.
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'harlequinade' often appearing in Telemann's overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The 'Espagniol' whose title prom-ises a bit of urbanity turns out to be a saraband, the 'Bourree en Trompette' justifies its name by the tone repetitions typical of trumpet music.In the context of the whole, the 'Sommeille', a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord.
- Grave
- Harlequinade
- Espagniol
- Bourree en Trompette
- Sommeille
- Rondeau
- Menuett I (alternativement)
- Menuett Ii
- Gigue
Orchestra - intermediate
SKU: HL.49001813
Set of Supplementary Parts. Composed by Georg Philipp Telemann. Edited by Guenter Kehr. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 78 pages. Duration 23'. Schott Music #CON 154-60. Published by Schott Music (HL.49001813).
ISBN 9790001024150. 9.0x12.0x0.28 inches.
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'harlequinade' often appearing in Telemann's overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The 'Espagniol' whose title prom-ises a bit of urbanity turns out to be a saraband, the 'Bourree en Trompette' justifies its name by the tone repetitions typical of trumpet music.In the context of the whole, the 'Sommeille', a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord.
- Grave
- Harlequinade
- Espagniol
- Bourree en Trompette
- Sommeille
- Rondeau
- Menuett I (alternativement)
- Menuett Ii
- Gigue
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