On Green Dolphin Street by Ned Washington Set of Parts - Digital Sheet Music

By Ned Washington

On Green Dolphin Street is a jazz classic popularized by Mile Davis but originating in the movie of 1947, with Lana Turner and Van Heflin. Two styles are presented in the head, a Latin style, with straight eight notes, is followed by the swinging eight note style. Therefore, students will need to understand how to execute the two different bowing styles. Chord changes are placed in all parts at the jazz solo section, or the director may choose to use a written out solo that is provided for a solo violinist. A Scale Study Sheet is provided to assist students and guide them to possible note selections for each chord in the 32 bars, as is typically done in Jamey Abersold’s pedagogy. A Violin 3 part is included to bolster the Viola section, and a single amplified jazz bass may be more desirable than using the entire contrabass section.  However, for thejazz solo choruses, only one bass should be used throughout. Note: The YouTube Link below is a practice track to be used during class rehearsals . It conforms to public domain standards as there is no melodic material of lyrics taken form the original work.

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Details

Genres:
Contemporary
Composers:
Ned Washington
Publishers:
Bud Caputo
Series:
ArrangeMe
Format:
Set of Parts Score and Parts
Item types:
Digital
Level:
Late Intermediate
Artist:
Ned Washington
Arrangers:
Bud Caputo
Usages:
School and Community
Number of Pages:
37

String Ensemble - Level 4 - Digital Download

SKU: A0.826732

Composed by Bronislau Kaper and Ned Washington. Arranged by Bud Caputo. Contemporary. Score and parts. 37 pages. Bud Caputo #6454951. Published by Bud Caputo (A0.826732).

On Green Dolphin Street is a jazz classic popularized by Mile Davis but originating in the movie of 1947, with Lana Turner and Van Heflin. Two styles are presented in the head, a Latin style, with straight eight notes, is followed by the swinging eight note style. Therefore, students will need to understand how to execute the two different bowing styles. Chord changes are placed in all parts at the jazz solo section, or the director may choose to use a written out solo that is provided for a solo violinist. A Scale Study Sheet is provided to assist students and guide them to possible note selections for each chord in the 32 bars, as is typically done in Jamey Abersold’s pedagogy. A Violin 3 part is included to bolster the Viola section, and a single amplified jazz bass may be more desirable than using the entire contrabass section.  However, for thejazz solo choruses, only one bass should be used throughout. Note: The YouTube Link below is a practice track to be used during class rehearsals . It conforms to public domain standards as there is no melodic material of lyrics taken form the original work.

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