Oboe Concerto in G minor Reconstruction based on BWV 1056 and 156 by Johann Sebastian Bach Orchestra - Sheet Music

By Johann Sebastian Bach

The present edition is derived from the justified assumption that Bach's Harpsichord Concertos BWV 1052-58 are original arrangements of solo concertos for other instruments, and can be reconstructed back to their original work form on the basis of the characteristics found in the solo parts. The editor of the present concerto chooses the oboe - an instrument that often plays characteristically exposed roles in Bach's cantatas - as the solo for his transformation of the Harpsichord Concerto in f minor BWV 1056, whereby the work was transposed one whole-tone higher. The Sinfonia of the Cantata BWV 156 "Ich steh mit einem Fuss im Grabe" provides the editor with an orientation in his reconstruction of the slow middle movement.

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Details

Instrument:
Oboe Solo
Ensembles:
Orchestra
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004321652
Format:
Part
Item types:
Physical
Musical forms:
Concerto
Artist:
Johann Sebastian Bach
Usages:
School and Community
Size:
10 x 12.5 inches
Number of Pages:
4
Shipping Weight:
0.09 pounds

Viola (solo: ob - str - bc)

SKU: BR.OB-4792-19

Reconstruction based on BWV 1056 and 156. Composed by Johann Sebastian Bach. Edited by Winfried Radeke. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 4792-19. Published by Breitkopf and Haertel (BR.OB-4792-19).

ISBN 9790004321652. 10 x 12.5 inches.

The present edition is derived from the justified assumption that Bach's Harpsichord Concertos BWV 1052-58 are original arrangements of solo concertos for other instruments, and can be reconstructed back to their original work form on the basis of the characteristics found in the solo parts. The editor of the present concerto chooses the oboe - an instrument that often plays characteristically exposed roles in Bach's cantatas - as the solo for his transformation of the Harpsichord Concerto in f minor BWV 1056, whereby the work was transposed one whole-tone higher. The Sinfonia of the Cantata BWV 156 "Ich steh mit einem Fuss im Grabe" provides the editor with an orientation in his reconstruction of the slow middle movement.