O Saviour of the World by Hugh Levey Clarinet Quartet - Digital Sheet Music

By Hugh Levey

Clarinet Quartet - 3 x Bb Clarinet and Bass Clarinet

Clarinet Quartet - 3 x Bb Clarinet and Bass ClarinetO Saviour of the World is a beautiful 19th century hymn, written for SATB choir with optional organ accompaniment, by Sir John Goss (1800-1880). Suitable for religious festivals such as Lent, Easter and Christmas, but also for secular events where some solemn beautiful music is required. Goss was organist at St Paul's Cathedral in London and a Professor of Harmony at the Royal Academy of Music where Sir Arthur Sullivan was among his pupils. Although this is an instrumental transcription, we can still hear the emotion through the musical techniques employed by the composer; such as sequences of overlapping lines, unexpected harmonies, the contrast between smooth legato passages and declamation, and the sudden change to unison for emphasis, all with carefully thought out dynamics.

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Details

Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Artist:
Hugh Levey
Arrangers:
Hugh Levey
Usages:
Christmas Easter
Number of Pages:
12

Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download

SKU: A0.1218800

Composed by Sir John Goss. Arranged by Hugh Levey. 19th Century,Christian,Christmas,Easter,Religious. 12 pages. Woodwindly.com #815222. Published by woodwindly.com (A0.1218800).

Clarinet Quartet - 3 x Bb Clarinet and Bass Clarinet
O Saviour of the World is a beautiful 19th century hymn, written for SATB choir with optional organ accompaniment, by Sir John Goss (1800-1880). Suitable for religious festivals such as Lent, Easter and Christmas, but also for secular events where some solemn beautiful music is required. Goss was organist at St Paul's Cathedral in London and a Professor of Harmony at the Royal Academy of Music where Sir Arthur Sullivan was among his pupils. Although this is an instrumental transcription, we can still hear the emotion through the musical techniques employed by the composer; such as sequences of overlapping lines, unexpected harmonies, the contrast between smooth legato passages and declamation, and the sudden change to unison for emphasis, all with carefully thought out dynamics.

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