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Composed by Ivo Antognini. Alliance Music Publications #AMP 0896S. Published by Alliance Music Publications (AN.AMP-0896S).
Antognini.
O MAGNUM MYSTERIUM is a brief but powerful piece that I wrote for a small church choir directed by my wife, Patrizia, for Christmas of 2010. It was meant as a gift for these good people that came once a week to prepare Christmas songs. The piece should have stayed in the drawer until the following Christmas. However, even during the first rehearsals I noted that the choristers showed a great enthusiasm in singing this composition of mine. Because of this, during the year that followed, I decided to show it to other well-known choirs. To my great surprise, the celebrated Vancouver Chamber Choir agreed to perform the world premiere of the piece in October 2011. A month later, another excellent Canadian ensemble, the Elektra Women's Choir, premiered the version for two equal voices, cello and organ, which I had prepared in the meantime. Many other performances followed in various parts of the world. I would like to mention a magnificent interpretation of my piece by the East Carolina University Chamber Singers, conducted by Andrew Crane and another one with Calicantus Children's Choir, conducted by Mario Fontana.
Composed by Ivo Antognini. Alliance Music Publications #AMP 0896S. Published by Alliance Music Publications (AN.AMP-0896S).
Antognini.
O MAGNUM MYSTERIUM is a brief but powerful piece that I wrote for a small church choir directed by my wife, Patrizia, for Christmas of 2010. It was meant as a gift for these good people that came once a week to prepare Christmas songs. The piece should have stayed in the drawer until the following Christmas. However, even during the first rehearsals I noted that the choristers showed a great enthusiasm in singing this composition of mine. Because of this, during the year that followed, I decided to show it to other well-known choirs. To my great surprise, the celebrated Vancouver Chamber Choir agreed to perform the world premiere of the piece in October 2011. A month later, another excellent Canadian ensemble, the Elektra Women's Choir, premiered the version for two equal voices, cello and organ, which I had prepared in the meantime. Many other performances followed in various parts of the world. I would like to mention a magnificent interpretation of my piece by the East Carolina University Chamber Singers, conducted by Andrew Crane and another one with Calicantus Children's Choir, conducted by Mario Fontana.
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