No Ordinary Woman! by Gwyneth W. Walker Clarinet - Sheet Music

By Gwyneth W. Walker

No Ordinary Woman is a song cycle for soprano and piano. Commissioned by soprano, Denise Walker, and pianist, Estrid Eklof, for premiere at Brown University, Providence, RI in December 1997. The songs were composed at the composer's home in Vermont during the summer of 1997. These songs might have been subtitled "Songs of Self Reflection" for they present the poet musing about her own life, and specifically her physical appearance. One imagines the poet looking in the mirror with amusement, horror, and a strong sense of her own history. Thus, the songs range from an energetic first impression ("Bones, Be Good!") to philosophical reflection ("Turning") to humor and pride in the body itself ("Homage to my Hips/Hair") to a more serious summation ("The Thirty-Eighth Year"). A strong and colorful woman emerges.   Contents: I. Bones, Be Good! II. Turning III. Homage to My Hips IV. Homage to My Hair V. The Thirty-eighth Year

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Details

Instrument:
Clarinet Piano Accompaniment
Composers:
Gwyneth W. Walker
Publishers:
E.C. Schirmer Publishing
Series:
Women Composers and Arrangers
UPC:
600313491924
Item types:
Physical
Instructionals:
Music History
Level:
Intermediate
Artist:
Gwyneth W. Walker
Usages:
School and Community
Shipping Weight:
0.34 pounds

Soprano, clarinet, and piano - Intermediate

SKU: EC.9192

Composed by Gwyneth W. Walker. Black History Month. E.C. Schirmer Publishing #9192. Published by E.C. Schirmer Publishing (EC.9192).

UPC: 600313491924. English.

No Ordinary Woman is a song cycle for soprano and piano. Commissioned by soprano, Denise Walker, and pianist, Estrid Eklof, for premiere at Brown University, Providence, RI in December 1997. The songs were composed at the composer's home in Vermont during the summer of 1997. These songs might have been subtitled "Songs of Self Reflection" for they present the poet musing about her own life, and specifically her physical appearance. One imagines the poet looking in the mirror with amusement, horror, and a strong sense of her own history. Thus, the songs range from an energetic first impression ("Bones, Be Good!") to philosophical reflection ("Turning") to humor and pride in the body itself ("Homage to my Hips/Hair") to a more serious summation ("The Thirty-Eighth Year"). A strong and colorful woman emerges.

 
Contents:
I. Bones, Be Good!
II. Turning
III. Homage to My Hips
IV. Homage to My Hair
V. The Thirty-eighth Year.