22006660
Ninja
22006660
22006660
Ninja Concert Band scores gallery preview page 1
Ninja Concert Band - Sheet Music

Ships to you

Ninja Concert Band - Sheet Music

Concert band Bass Clarinet, Bass Drum, Bassoon, Bb Euphonium, Bells, Chime, Clarinet in Bb 1, Clarinet in Bb 2, Euphonium, Flute 1, Flute 2, Flute 3, Gong, Horn in F 1, Horn in F 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3 and more. - Grade 2

SKU: CF.YPS228

Composed by Michael Boo. Folio. Yps. Score and parts. 89 pages. Duration 0:02:30. Carl Fischer Music #YPS228. Published by Carl Fischer Music (CF.YPS228).

ISBN 9781491157961. UPC: 680160916566. 9.0138888888889 x 12.013888888889 inches.

Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.