Nighttime Tu Ne Cede Malis, Sed Contra Audentior Ito Chamber Music - Sheet Music

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. "One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light." (From the performance notes.)

Print edition
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Details

Instrument:
Cello Clarinet Flute Piano Violin
Ensembles:
Chamber Music
Genres:
Classical
Publishers:
Theodore Presser Company
UPC:
680160667857
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Usages:
School and Community
Number of Pages:
108
Size:
9 x 12 inches
Shipping Weight:
2.71 pounds

Chamber Music flute, clarinet, violin, cello, piano

SKU: PR.144405150

Tu Ne Cede Malis, Sed Contra Audentior Ito. Composed by Robert Martin. This edition: saddle-wire stitch. Sws. Classical. Score and parts. With Standard notation. Composed 1979. 108 pages. Duration 0:08:15. Theodore Presser Company #144-40515. Published by Theodore Presser Company (PR.144405150).

UPC: 680160667857. 9 x 12 inches. Robert Martin.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. "One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light." (From the performance notes.).