N'oubliez pas!-Noskowski-String Quintet String Quintet - Digital Sheet Music

In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This Instrumental Quintet arrangement is of N'oubliez pas! from Fleurs du Printemps, Op 48 (Forget-me-nots, from Flowers of Spring).As the name implies, it is expressive and melancholy. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. There are numerous themes as it weaves between major and minor keys (without changing key signature). The upper three parts carry the melody and countermelodies, while part four is a moving arpeggiated line, and part five simply anchors the chordal root.Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert piece to show musicianship.   8 page score, 2 pages @part, 18 pages total2:50 minutes

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Details

Instrument:
Cello Double Bass Viola Violin
Ensembles:
String Quintet
Genres:
Romantic Period Standards
Publishers:
Phil Beaman
Series:
ArrangeMe
Format:
Set of Parts Score and Parts
Item types:
Digital
Level:
Intermediate
Usages:
School and Community
Number of Pages:
18

String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download

SKU: A0.845276

Composed by Z Noskowski. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 18 pages. Phil Beaman #6530011. Published by Phil Beaman (A0.845276).

In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This Instrumental Quintet arrangement is of N'oubliez pas! from Fleurs du Printemps, Op 48 (Forget-me-nots, from Flowers of Spring).
As the name implies, it is expressive and melancholy. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. There are numerous themes as it weaves between major and minor keys (without changing key signature). The upper three parts carry the melody and countermelodies, while part four is a moving arpeggiated line, and part five simply anchors the chordal root.
Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert piece to show musicianship.  
 8 page score, 2 pages @part, 18 pages total
2:50 minutes


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