My blessed Jesus, gone forever Cantata for the 1st Sunday after Epiphany by Johann Sebastian Bach ATB - Sheet Music

By Johann Sebastian Bach

The cantata "Mein liebster Jesus ist verloren" BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and parts available separately - see item CA.3115400

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Details

Instrument:
Choir Voice
Ensembles:
ATB 4-Part SATB Mixed Choir
Genres:
Christian Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007208769
Format:
Set of Parts
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Usages:
Epiphany
Size:
9 x 12 inches
Shipping Weight:
1.64 pounds

Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] (Soli ATB, Coro SATB, 2 Obda, 2 Vl, Va, Bc, [Cemb])

SKU: CA.3115419

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Benedikt Leßmann. Stuttgart Urtext Edition: Bach vocal. Separate instruments. Cantatas, Epiphany. Set of parts. Composed before 1724. BWV 154. Duration 17 minutes. Carus Verlag #CV 31.154/19. Published by Carus Verlag (CA.3115419).

ISBN 9790007208769. 9 x 12 inches. Language: German/English.

The cantata "Mein liebster Jesus ist verloren" BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and parts available separately - see item CA.3115400.