20318836
MusicGym
20318836
20318836
20318836
Copyright Material for Preview Only - Sheet Music Plus
SKU: BR.MN-954
Effektiv üben und unterrichten – stressfrei musizieren mit Übungen aus Musik-Kinesiologie und nach Brain-Gym®. Composed by Furugh Karimi. Softbound. Musikverlag Nepomuk.
Back to Inner Balance
Music pedagogy. Book. 80 pages. Breitkopf and Haertel #MN 954. Published by Breitkopf and Haertel (BR.MN-954).
ISBN 9783765199295. 6.5 x 9.5 inches. German.
Nearly every musician experiences this at some point in their life: stage fright, the typical "spoilsport" of professional musicians. Typical stage fright is triggered by excessive performance pressure and stress in moments in which the musical expressiveness and joy of playing should be holding center stage. But not only in performance situations can psychological and physical blockades hinder an unencumbered music-making. With the help of the holistic techniques of musical kinesiology, many artists are increasingly finding their way back to an inner balance and a new expressive power. The solo flute player and instructor Furugh Karimi has gathered experiences in this field (among others) for more than 20 years now as lecturer at the Vienna University for Music. Derived from the Brain-Gym (r) method as well as musical kinesiology and optically adapted for teaching and practice, "MusicGym" contains a compilation of exercises with lots of variety that have been successfully tried-out and enhanced by the author.
Ways - Music Pedagogical Series Volume 26 Back to Inner Balance.
SKU: BR.MN-954
Effektiv üben und unterrichten – stressfrei musizieren mit Übungen aus Musik-Kinesiologie und nach Brain-Gym®. Composed by Furugh Karimi. Softbound. Musikverlag Nepomuk.
Back to Inner Balance
Music pedagogy. Book. 80 pages. Breitkopf and Haertel #MN 954. Published by Breitkopf and Haertel (BR.MN-954).
ISBN 9783765199295. 6.5 x 9.5 inches. German.
Nearly every musician experiences this at some point in their life: stage fright, the typical "spoilsport" of professional musicians. Typical stage fright is triggered by excessive performance pressure and stress in moments in which the musical expressiveness and joy of playing should be holding center stage. But not only in performance situations can psychological and physical blockades hinder an unencumbered music-making. With the help of the holistic techniques of musical kinesiology, many artists are increasingly finding their way back to an inner balance and a new expressive power. The solo flute player and instructor Furugh Karimi has gathered experiences in this field (among others) for more than 20 years now as lecturer at the Vienna University for Music. Derived from the Brain-Gym (r) method as well as musical kinesiology and optically adapted for teaching and practice, "MusicGym" contains a compilation of exercises with lots of variety that have been successfully tried-out and enhanced by the author.
Ways - Music Pedagogical Series Volume 26 Back to Inner Balance.
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