1917531
Morning Music
1917531
1917531
1917531
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music 2 Piano, 4 Hands
SKU: PR.460000970
For Piano, Four Hands. Composed by Peter Schickele. This edition: saddle-wire stitch. Sws. Back To School. Premiered at University of Western Ontario; Peter Schickele and Jack Behrens pianists. Score. With Standard notation. 32 pages. Duration 0:11:00. Theodore Presser Company #460-00097. Published by Theodore Presser Company (PR.460000970).
ISBN 9781598062588. UPC: 680160588497.
Morning Music, a new work for piano, four hands by Peter Schickele, is written to be played at sunrise, in the manner of an Indian raga, though its musical style bears no resemblance to the raga itself. Schickele describes this work as “a string of beads; each bead is a concentrated, somewhat static musical section. One of these sections is fast and driving, another is languid, others flow in a songlike manner, but they all have a rather hypnotic quality… This piece was not commissioned; it simply wanted to be written. It was first performed by Jack Behrens and the composer on February 6, 1983 at the University of Western Ontario in London, Ontario.” For advanced players. Duration: 11’.
Chamber Music 2 Piano, 4 Hands
SKU: PR.460000970
For Piano, Four Hands. Composed by Peter Schickele. This edition: saddle-wire stitch. Sws. Back To School. Premiered at University of Western Ontario; Peter Schickele and Jack Behrens pianists. Score. With Standard notation. 32 pages. Duration 0:11:00. Theodore Presser Company #460-00097. Published by Theodore Presser Company (PR.460000970).
ISBN 9781598062588. UPC: 680160588497.
Morning Music, a new work for piano, four hands by Peter Schickele, is written to be played at sunrise, in the manner of an Indian raga, though its musical style bears no resemblance to the raga itself. Schickele describes this work as “a string of beads; each bead is a concentrated, somewhat static musical section. One of these sections is fast and driving, another is languid, others flow in a songlike manner, but they all have a rather hypnotic quality… This piece was not commissioned; it simply wanted to be written. It was first performed by Jack Behrens and the composer on February 6, 1983 at the University of Western Ontario in London, Ontario.” For advanced players. Duration: 11’.
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