Monegasque (Monaco) National Anthem for String Orchestra by Keith Terrett String Orchestra - Digital Sheet Music

SKU: A0.1577559

Under the reign of Prince Florestan I who become the Monegasque sovereign in 1841, the Principality experienced an unstable internal situation. As early as 1821, repeated troubles broke out in Menton encouraged by agents of the Kingdom of Sardinia, abusively interpreting the treaty of Stupinigi signed on November 8, 1817, as a treaty submitting the Prince of Monaco and the Principality to a foreign authority.[3] In order to respond to the broadcast in Monaco of seditious songs imported from the County of Nice, Monégasque lawyer Théophile Bellando de Castro wrote French lyrics and composed the music of the first version of the "Hymne Monégasque" in 1841 as a tribute of loyalty to the Prince and his family. Later, French musicologist Castil-Blaze modified the melody and made several other minor changes. In 1848, the National Guard, created by Prince Florestan, adopted Bellando's song, and it became the "March of the National Loyalists". In 1896, a new arrangement for piano composed by Monégasque composer Charles Albrecht was published by Tihebaux in Paris and titled "Air National de Monaco". In 1897, Decourcelle, a publisher in Nice, printed a new version of Albrecht's composition numbered 429 and titled "Hymne National de Monaco".

Years later, Monégasque musician François Bellini orchestrated the song by Albrecht; this new arrangement for a trio was judged to be too long for people in 1900 and ceased being played. The modern version was created by French composer Léon Jehin in 1914 and was played for the first time during the 25th anniversary of the beginning Prince Albert's reign. Finally, in 1931, Monégasque poet Louis Notari wrote the lyrics in the Monégasque language.

Fernand Bertrand of the Comité National des Traditions Monégasques (National Committee of Monégasque Traditions) later simplified the Monégasque lyrics while retaining the meaning, because people were finding it difficult to sing the first verse, which had a fast rhythm. Bertrand also noted that the second verse was no longer being played or sung. This is the version currently taught in schools to children and that almost all the population sings today.