Mixolydian Gloria 3-Part - Sheet Music

I have composed this setting of the Gloria text using the mixolydian scale rather than a conventional major scale. The key signature suggests E-Flat major; however, upon careful inspection, you will notice that "ti", the D-natural, has been lowered a half step to "te", D-Flat, which is one of the distinguishing features of the Mixolydian scale. Be careful to observe all of the dynamics, especially as each part enters to give a sense of increasing excitement. Also, work as an ensemble to create and maintain the rhythmic energy of the piece. Take special care to observe all articulation marks, particularly, the accents. There are only five pure vowel sounds in Latin: A= AH E = EH I = EE *O = AW U = OO *The O is a cross between an OH and an AH When singing in compound meter (6/8), careful attention must be given to stress the words which fall on the big beat and not the underlying pulses. Ex: GLAW-ree-ah EEN ehk | -SHEHL-sees DEH-aw.I have composed this setting of the Gloria text using the mixolydian scale rather than a conventional major scale. The key signature suggests E-Flat major; however, upon careful inspection, you will notice that “ti”, the D-natural, has been lowered a half step to “te”, D-Flat, which is one of the distinguishing features of the Mixolydian scale.Be careful to observe all of the dynamics, especially as each part enters to give a sense of increasing excitement. Also, work as an ensemble to create and maintain the rhythmic energy of the piece. Take special care to observe all articulation marks, particularly, the accents.There are only five pure vowel sounds in Latin:A= AH E = EH I = EE *O = AW U = OO*The O is a cross between an OH and an AHWhen singing in compound meter (6/8), careful attention must be given to stress the words which fall on the big beat and not the underlying pulses.Ex: GLAW-ree-ah EEN ehk | -SHEHL-sees DEH-aw.I have composed this setting of the Gloria text using the mixolydian scale rather than a conventional major scale. The key signature suggests E-Flat major; however, upon careful inspection, you will notice that “ti”, the D-natural, has been lowered a half step to “te”, D-Flat, which is one of the distinguishing features of the Mixolydian scale.Be careful to observe all of the dynamics, especially as each part enters to give a sense of increasing excitement. Also, work as an ensemble to create and maintain the rhythmic energy of the piece. Take special care to observe all articulation marks, particularly, the accents.There are only five pure vowel sounds in Latin:A= AHxa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 E = EHxa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I = EExa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 *O = AWxa0xa0xa0xa0xa0xa0xa0xa0xa0 U = OO*The O is a cross between an OH and an AHWhen singing in compound meter (6/8), careful attention must be given to stress the words which fall on the big beat and not the underlying pulses.Ex: GLAW-ree-ah EEN ehk xa0|xa0 -SHEHL-sees DEH-aw

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Details

Instrument:
Choir Piano Accompaniment
Ensembles:
3-Part TBB Men's Choir
Publishers:
BriLee Music
UPC:
672405010665
Format:
Octavo
Item types:
Physical
Usages:
School and Community
Main Key:
Eb mixolydian
Number of Pages:
8
Size:
6.875 x 10.5 inches
Shipping Weight:
1.2 pounds

Choral TBB choir, piano

SKU: CF.BL1214

Composed by Remel Derrick. Octavo. Octavo. 8 pages. Duration 0:01:42. BriLee Music #BL1214. Published by BriLee Music (CF.BL1214).

UPC: 672405010665. 6.875 x 10.5 inches. Key: Eb mixolydian. Latin. Traditional Latin.

I have composed this setting of the Gloria text using the mixolydian scale rather than a conventional major scale. The key signature suggests E-Flat major; however, upon careful inspection, you will notice that "ti", the D-natural, has been lowered a half step to "te", D-Flat, which is one of the distinguishing features of the Mixolydian scale. Be careful to observe all of the dynamics, especially as each part enters to give a sense of increasing excitement. Also, work as an ensemble to create and maintain the rhythmic energy of the piece. Take special care to observe all articulation marks, particularly, the accents. There are only five pure vowel sounds in Latin: A= AH E = EH I = EE *O = AW U = OO *The O is a cross between an OH and an AH When singing in compound meter (6/8), careful attention must be given to stress the words which fall on the big beat and not the underlying pulses. Ex: GLAW-ree-ah EEN ehk | -SHEHL-sees DEH-aw.
I have composed this setting of the Gloria text using the mixolydian scale rather than a conventional major scale. The key signature suggests E-Flat major; however, upon careful inspection, you will notice that “ti”, the D-natural, has been lowered a half step to “te”, D-Flat, which is one of the distinguishing features of the Mixolydian scale.Be careful to observe all of the dynamics, especially as each part enters to give a sense of increasing excitement. Also, work as an ensemble to create and maintain the rhythmic energy of the piece. Take special care to observe all articulation marks, particularly, the accents.There are only five pure vowel sounds in Latin:A= AH E = EH I = EE *O = AW U = OO*The O is a cross between an OH and an AHWhen singing in compound meter (6/8), careful attention must be given to stress the words which fall on the big beat and not the underlying pulses.Ex: GLAW-ree-ah EEN ehk | -SHEHL-sees DEH-aw.
I have composed this setting of the Gloria text using the mixolydian scale rather than a conventional major scale. The key signature suggests E-Flat major; however, upon careful inspection, you will notice that “ti”, the D-natural, has been lowered a half step to “te”, D-Flat, which is one of the distinguishing features of the Mixolydian scale.Be careful to observe all of the dynamics, especially as each part enters to give a sense of increasing excitement. Also, work as an ensemble to create and maintain the rhythmic energy of the piece. Take special care to observe all articulation marks, particularly, the accents.There are only five pure vowel sounds in Latin:A= AHxa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 E = EHxa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I = EExa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 *O = AWxa0xa0xa0xa0xa0xa0xa0xa0xa0 U = OO*The O is a cross between an OH and an AHWhen singing in compound meter (6/8), careful attention must be given to stress the words which fall on the big beat and not the underlying pulses.Ex: GLAW-ree-ah EEN ehk xa0|xa0 -SHEHL-sees DEH-aw.