Missa Sancti Josephi by Jan Dismas Zelenka 4-Part - Sheet Music

By Jan Dismas Zelenka

Jan Dismas Zelenka’s "Missa Sancti Josephi" occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse – the latter had first performed his opera "Cleofide" in Dresden in 1731. Zelenka’s unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sächsische Landes- und Universitätsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages.

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Details

Instrument:
Choir Flute
Ensembles:
4-Part SATB
Genres:
Christian Baroque Period
Composers:
Jan Dismas Zelenka
Publishers:
Carus Verlag
ISBN:
9790007145187
Format:
Score
Item types:
Physical
Musical forms:
Mass
Artist:
Jan Dismas Zelenka
Usages:
Saints' Days Mass
Size:
10 x 12 inches
Number of Pages:
176
Shipping Weight:
2.15 pounds

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 4

SKU: CA.2708200

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Carus digital: Sheet music as PDF. Sacred vocal music, Masses, Latin. Full score. ZWV 14. 176 pages. Duration 38 minutes. Carus Verlag #CV 27.082/00. Published by Carus Verlag (CA.2708200).

ISBN 9790007145187. 10 x 12 inches. Language: Latin.

Jan Dismas Zelenka’s "Missa Sancti Josephi" occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse – the latter had first performed his opera "Cleofide" in Dresden in 1731. Zelenka’s unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sächsische Landes- und Universitätsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages.