20756287
Missa phrygica
20756287
20756287
20756287
Copyright Material for Preview Only - Sheet Music Plus
Soli (kl. Chor), Coro SATB (teilw. geteilt)
SKU: CA.2708905
Composed by Felix Petyrek. Edited by Claus Woschenko. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral score. Composed 1949. 32 pages. Duration 25 minutes. Carus Verlag #CV 27.089/05. Published by Carus Verlag (CA.2708905).
ISBN 9790007187101. 8.27 x 11.69 inches. Language: Latin.
Besides Ernst Krenek and the Czech composer, Alois Haba, Felix Petyrek (1892-1951) was one the most important pupils who studied under Franz Schreker in the latter's early composition classes in Vienna. In his "Missa phrygica," written in 1949 for four to eight voices (it can be performed by a choir with soloists/small choir), Petyrek employs elements of vocal polyphony from the Renaissance and early Baroque in a very personal, modern contrapuntal fashion. However, the brightness of the splendid sonority in both the Gloria and Credo, obtained essentially through the use of chains of parallel fifths, shows the influence of his teacher, Franz Schreker. Score available separately - see item CA.2708900.
Soli (kl. Chor), Coro SATB (teilw. geteilt)
SKU: CA.2708905
Composed by Felix Petyrek. Edited by Claus Woschenko. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral score. Composed 1949. 32 pages. Duration 25 minutes. Carus Verlag #CV 27.089/05. Published by Carus Verlag (CA.2708905).
ISBN 9790007187101. 8.27 x 11.69 inches. Language: Latin.
Besides Ernst Krenek and the Czech composer, Alois Haba, Felix Petyrek (1892-1951) was one the most important pupils who studied under Franz Schreker in the latter's early composition classes in Vienna. In his "Missa phrygica," written in 1949 for four to eight voices (it can be performed by a choir with soloists/small choir), Petyrek employs elements of vocal polyphony from the Renaissance and early Baroque in a very personal, modern contrapuntal fashion. However, the brightness of the splendid sonority in both the Gloria and Credo, obtained essentially through the use of chains of parallel fifths, shows the influence of his teacher, Franz Schreker. Score available separately - see item CA.2708900.
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