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  • Missa in G minor from Johann Sebastian Bach's music library by Paul Horn 4-Part - Sheet Music
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Missa in G minor from Johann Sebastian Bach's music library by Paul Horn 4-Part - Sheet Music

By Frieder Rempp

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

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Details

Instrument:
Choir
Ensembles:
4-Part SATB
Genres:
Christian
Publishers:
Carus Verlag
ISBN:
9790007245481
Format:
Score
Item types:
Physical
Musical forms:
Mass
Artist:
Paul Horn
Arrangers:
Paul Horn
Usages:
Mass
Size:
8.27 x 11.69 inches
Shipping Weight:
0.34 pounds

Coro SATB, 2 Vl, 2 Va, Bc

SKU: CA.3500900

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Carus digital: Sheet music as PDF. Sacred vocal music, Masses, Latin. Full score. Duration 12 minutes. Carus Verlag #CV 35.009/00. Published by Carus Verlag (CA.3500900).

ISBN 9790007245481. 8.27 x 11.69 inches. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

More by this Composer:
Paul Horn Paul Horn Choir Paul Horn Voice Paul Horn Basso Continuo
Instrument:
Vocal Choir
Artists:
Frieder Rempp Paul Horn
Ensemble:
4-Part SATB
Publisher:
Carus Verlag