6347825
Missa in c K. 427 (417a)
6347825
6347825
6347825
Copyright Material for Preview Only - Sheet Music Plus
Woodwinds (solos: SATB – choir: SSAATTBB – 2.2.2.2. – 2.2.4.0. – timp – org – str)
SKU: BR.OB-4935-30
Completed from Mozart's sources –. Composed by Wolfgang Amadeus Mozart. Arranged by Alois Schmitt. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Wolfgang Amadeus Mozart worked on the "Mass" K. 427 (417A) during the years 1782/83. The completed movements of the Mass were performed in the church of St. Peter's convent in Salzburg on 26 October 1783 - the complete work, however, remained unfinished. Mass; Classical. Set of parts. 138 pages. Duration 75:00. Breitkopf and Haertel #OB 4935-30. Published by Breitkopf and Haertel (BR.OB-4935-30).
ISBN 9790004325575. 10 x 12.5 inches.
Thanks to Alois Schmitts supplements, the work became performable in its entirety for the first time in 1901. Basing himself on Mozarts sketches, Schmitt completed the instrumentation, which at times had not been definitely notated, constructed the Agnus Dei from the Kyrie of the Mass and compiled the missing parts of the Credo by borrowing from other works by Mozart.
Woodwinds (solos: SATB – choir: SSAATTBB – 2.2.2.2. – 2.2.4.0. – timp – org – str)
SKU: BR.OB-4935-30
Completed from Mozart's sources –. Composed by Wolfgang Amadeus Mozart. Arranged by Alois Schmitt. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Wolfgang Amadeus Mozart worked on the "Mass" K. 427 (417A) during the years 1782/83. The completed movements of the Mass were performed in the church of St. Peter's convent in Salzburg on 26 October 1783 - the complete work, however, remained unfinished. Mass; Classical. Set of parts. 138 pages. Duration 75:00. Breitkopf and Haertel #OB 4935-30. Published by Breitkopf and Haertel (BR.OB-4935-30).
ISBN 9790004325575. 10 x 12.5 inches.
Thanks to Alois Schmitts supplements, the work became performable in its entirety for the first time in 1901. Basing himself on Mozarts sketches, Schmitt completed the instrumentation, which at times had not been definitely notated, constructed the Agnus Dei from the Kyrie of the Mass and compiled the missing parts of the Credo by borrowing from other works by Mozart.
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