541269
Missa brevis in D major
541269
541269
541269
Copyright Material for Preview Only - Sheet Music Plus
Soli SATB, Coro SATB, 2 Vl, Bc, [3 Trb] - Grade 2
SKU: CA.4062505
Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Carus plus: Übehilfen, nur intern. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Choral score. Composed 1774. KV 194. Duration 18 minutes. Carus Verlag #CV 40.625/05. Published by Carus Verlag (CA.4062505).
ISBN 9790007084523. 8.27 x 11.69 inches. Key: D major. Language: Latin.
During the summer of 1774 Mozart wrote two Masses within a few weeks: the Missa brevis in F major, K. 192, and the Missa brevis in D major, K. 194. A feature common to both compositions as well as to the Dixit et Magnificat K. 193, written at about the same time, and the "Trinitias" Mass K. 167 of the previous year, is a more or less strongly evident tendency towards contrapuntal writing. However, while the Dixit et Magnificat and the "Trinitas" Mass approach the late-baroque style, in these two brevis Masses Mozart sought to combine traditional polyphonic techniques with a more modern musical language. This work is now available in carus music, the choir app! Score available separately - see item CA.4062500.
Soli SATB, Coro SATB, 2 Vl, Bc, [3 Trb] - Grade 2
SKU: CA.4062505
Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Carus plus: Übehilfen, nur intern. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Choral score. Composed 1774. KV 194. Duration 18 minutes. Carus Verlag #CV 40.625/05. Published by Carus Verlag (CA.4062505).
ISBN 9790007084523. 8.27 x 11.69 inches. Key: D major. Language: Latin.
During the summer of 1774 Mozart wrote two Masses within a few weeks: the Missa brevis in F major, K. 192, and the Missa brevis in D major, K. 194. A feature common to both compositions as well as to the Dixit et Magnificat K. 193, written at about the same time, and the "Trinitias" Mass K. 167 of the previous year, is a more or less strongly evident tendency towards contrapuntal writing. However, while the Dixit et Magnificat and the "Trinitas" Mass approach the late-baroque style, in these two brevis Masses Mozart sought to combine traditional polyphonic techniques with a more modern musical language. This work is now available in carus music, the choir app! Score available separately - see item CA.4062500.
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