17400839
Missa a 3
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17400839
17400839
Copyright Material for Preview Only - Sheet Music Plus
SAA chorus
SKU: CA.2703900
Composed by Johann Wenzel Kalliwoda. Edited by László Strauß-Németh. Carus digital: Sheet music as PDF. Sacred vocal music, Masses, Latin. Score. Composed 1850. WoO VI/5. 12 pages. Duration 13 minutes. Carus Verlag #CV 27.039/00. Published by Carus Verlag (CA.2703900).
ISBN 9790007101961. 8.27 x 11.69 inches. Key: G major. Language: Latin.
Bohemian-Czech music has always been famous for it’s melodious, extrovert style and lively rhythms. Even the Bohemian church music, which often contains folk-like elements, has this character. With the first publication of the three-voice a-cappella mass by the Prague composer and violin virtuoso Johann Wenzel Kalliwoda, Carus extends it’s Bohemian-Czech repertoire by yet another work: a smooth, predominantly syllabic short mass setting (approx. 13 Minutes), probably composed in the 1850s for the court of the Prince of Fürstenberg, the impressionable G major Mass (with the complete text of the traditional mass) tailor made for being performed in a small court. Described by the composer as "short three-voice Mass, within the range of two octaves.".
SAA chorus
SKU: CA.2703900
Composed by Johann Wenzel Kalliwoda. Edited by László Strauß-Németh. Carus digital: Sheet music as PDF. Sacred vocal music, Masses, Latin. Score. Composed 1850. WoO VI/5. 12 pages. Duration 13 minutes. Carus Verlag #CV 27.039/00. Published by Carus Verlag (CA.2703900).
ISBN 9790007101961. 8.27 x 11.69 inches. Key: G major. Language: Latin.
Bohemian-Czech music has always been famous for it’s melodious, extrovert style and lively rhythms. Even the Bohemian church music, which often contains folk-like elements, has this character. With the first publication of the three-voice a-cappella mass by the Prague composer and violin virtuoso Johann Wenzel Kalliwoda, Carus extends it’s Bohemian-Czech repertoire by yet another work: a smooth, predominantly syllabic short mass setting (approx. 13 Minutes), probably composed in the 1850s for the court of the Prince of Fürstenberg, the impressionable G major Mass (with the complete text of the traditional mass) tailor made for being performed in a small court. Described by the composer as "short three-voice Mass, within the range of two octaves.".
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