Miserere by Charles-Hubert Gervais SSA - Sheet Music

By Charles-Hubert Gervais

At the time Gervais composed his "Grand Motet Miserere" he held a post as director of the Chappell Royale in the Court of Louis XIV. This was one of the most important positions in music in France at that time. In addition to operas, he was highly regarded for compositions in this representative genre of sacred music until the end of the Ancien Regime. The setting of Psalm 50 consists of a succession of individual movements (choruses, soli, and duets through quartets), which, thanks to his experience with works for the stage, the composer was able shape dramatically not only with respect to the texts of individual movements, but also with a view to the large chorus which concludes the work. Score and parts available separately - see item CA.2101000

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Details

Instrument:
Flute
Ensembles:
SSA SA 3-Part Orchestra
Genres:
Christian Classical
Composers:
Charles-Hubert Gervais
Publishers:
Carus Verlag
Series:
French Sacred Music
ISBN:
9790007139889
Format:
Set of Parts
Item types:
Physical
Artist:
Charles-Hubert Gervais
Usages:
Psalms
Size:
8.27 x 11.69 inches
Shipping Weight:
1.81 pounds

Orchestra Solistes SA(T)TBarB, Grand Chœur SSA(T)TBarB, 2 Dessus de Violon (Vl, Fl, Blfl (Ob)), Haute-contres de Violon, Tailles de Violon, Basses (Vc, Cb, Org, Tiorba)

SKU: CA.2101019

Composed by Charles-Hubert Gervais. Edited by Jean-Paul C. Montagnier. French Sacred Music. German title: Miserere. Sacred vocal music, Motets, Psalms. Set of parts. Duration 25 minutes. Carus Verlag #CV 21.010/19. Published by Carus Verlag (CA.2101019).

ISBN 9790007139889. 8.27 x 11.69 inches. Language: Latin.

At the time Gervais composed his "Grand Motet Miserere" he held a post as director of the Chappell Royale in the Court of Louis XIV. This was one of the most important positions in music in France at that time. In addition to operas, he was highly regarded for compositions in this representative genre of sacred music until the end of the Ancien Regime. The setting of Psalm 50 consists of a succession of individual movements (choruses, soli, and duets through quartets), which, thanks to his experience with works for the stage, the composer was able shape dramatically not only with respect to the texts of individual movements, but also with a view to the large chorus which concludes the work. Score and parts available separately - see item CA.2101000.