Millennium: 1st F Horn 1st F Horn by Richard Meyer Full Orchestra - Digital Sheet Music

By Richard Meyer

Millennium, recorded this year by Alfred for the first time, was first released in 1998. Winner of the 1998 N.S.O.A. composition contest, this contemporary-sounding overture is extremely powerful and full of emotion from beginning to end. After a foreboding introduction, the heroic main theme is introduced by the brass section in unison, accompanied by the entire orchestra in a percussive, marcato style. A lyrical subordinate theme of extreme beauty follows, first stated by unison cellos, then picked up by the entire orchestra. The third and final section is a wild and energetic march, pitting brass against woodwinds and strings, leading into a final, majestic restatement of the main theme. Richard Meyer's colorful and imaginative scoring features every section of the symphony orchestra, resulting in a wonderfully mature-sounding, yet playable, 'tour de force' for the student orchestra.Concert/Contest

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Millennium
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Details

Ensembles:
Full Orchestra
Genres:
Classical Folk
Composers:
Richard Meyer
Publishers:
Alfred Music - Digital Sheet Music
UPC:
038081168135
Format:
Part
Item types:
Digital
Instructionals:
Methods and More
Artist:
Richard Meyer
Usages:
School and Community
Number of Pages:
4

Full Orchestra - Digital Download

SKU: AX.00-PC-0000268_H1

1st F Horn. Composed by Richard Meyer. 1st F Horn. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0000268_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000268_H1).

UPC: 038081168135.

Millennium, recorded this year by Alfred for the first time, was first released in 1998. Winner of the 1998 N.S.O.A. composition contest, this contemporary-sounding overture is extremely powerful and full of emotion from beginning to end. After a foreboding introduction, the heroic main theme is introduced by the brass section in unison, accompanied by the entire orchestra in a percussive, marcato style. A lyrical subordinate theme of extreme beauty follows, first stated by unison cellos, then picked up by the entire orchestra. The third and final section is a wild and energetic march, pitting brass against woodwinds and strings, leading into a final, majestic restatement of the main theme. Richard Meyer's colorful and imaginative scoring features every section of the symphony orchestra, resulting in a wonderfully mature-sounding, yet playable, 'tour de force' for the student orchestra.
Concert/Contest.

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