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Chamber Music Cymbal, Unpitched Percussion, Vibraphone
SKU: CF.DRM148
Composed by Paul Lansky. This edition: saddle-wire stitch. Sws. Performance Score. 16 pages. Carl Fischer Music #DRM148. Published by Carl Fischer Music (CF.DRM148).
ISBN 9781491158593. UPC: 680160917204. 9 x 12 inches.
The work is scored for vibraphone (played with four mallets) and four metals, low to high. The metals should have different pitches and should be chosen so that they can be played with vibraphone mallets (such as cowbells and almglocken). One set of mallets should be used for the entire piece. The cymbal is a normal suspended cymbal. In most cases, the metals, placed behind the vibraphone, will be played with the right hand. Exceptions might be found as, for example, in m. 35. Vibraphone pedaling is sometimes indicated: feather (gently pumping the pedal up and down), no pedal and held pedal.
The work is scored for vibraphone (played with four mallets) and four metals, low to high. The metals should have different pitches and should be chosen so that they can be played with vibraphone mallets (such as cowbells and almglocken). One set of mallets should be used for the entire piece. The cymbal is a normal suspended cymbal. In most cases, the metals, placed behind the vibraphone, will be played with the right hand. Exceptions might be found as, for example, in m. 35.Vibraphone pedaling is sometimes indicated: feather (gently pumping the pedal up and down), no pedal and held pedal.
Chamber Music Cymbal, Unpitched Percussion, Vibraphone
SKU: CF.DRM148
Composed by Paul Lansky. This edition: saddle-wire stitch. Sws. Performance Score. 16 pages. Carl Fischer Music #DRM148. Published by Carl Fischer Music (CF.DRM148).
ISBN 9781491158593. UPC: 680160917204. 9 x 12 inches.
The work is scored for vibraphone (played with four mallets) and four metals, low to high. The metals should have different pitches and should be chosen so that they can be played with vibraphone mallets (such as cowbells and almglocken). One set of mallets should be used for the entire piece. The cymbal is a normal suspended cymbal. In most cases, the metals, placed behind the vibraphone, will be played with the right hand. Exceptions might be found as, for example, in m. 35. Vibraphone pedaling is sometimes indicated: feather (gently pumping the pedal up and down), no pedal and held pedal.
The work is scored for vibraphone (played with four mallets) and four metals, low to high. The metals should have different pitches and should be chosen so that they can be played with vibraphone mallets (such as cowbells and almglocken). One set of mallets should be used for the entire piece. The cymbal is a normal suspended cymbal. In most cases, the metals, placed behind the vibraphone, will be played with the right hand. Exceptions might be found as, for example, in m. 35.Vibraphone pedaling is sometimes indicated: feather (gently pumping the pedal up and down), no pedal and held pedal.
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