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Composed by Charles Francois Gounod. This edition: Paperbound. French Sacred Music. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Masses, Latin. Full score. Composed 1890. CG 71b. 32 pages. Duration 15 minutes. Carus Verlag #CV 40.637/00. Published by Carus Verlag (CA.4063700).
ISBN 9790007075095. 8.27 x 11.69 inches. Key: G major. Language: Latin.
The Messe no. 6 aux cathédrales by Charles Gounod (1818–1893) is a reworking of the Messe no. 3 aux communautés religieuses (for three equal voices) by the composer himself. The work contains no setting of the Benedictus, but instead, in the French tradition, an "O salutaris hostia" and a "Domine Salvam". Its easily comprehensible musical language gives the mass a light, catchy character. Simple musical means are used formatively, shaping the distinctive characteristics of the individual movements. The organ supports the choral parts, which only sing unaccompanied in a few places. "A colorful, entertaining piece of expressive-Romantic choral music, which audiences and performers alike will enjoy" (Württembergische Blätter für Kirchenmusik 2/1992).
Composed by Charles Francois Gounod. This edition: Paperbound. French Sacred Music. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Masses, Latin. Full score. Composed 1890. CG 71b. 32 pages. Duration 15 minutes. Carus Verlag #CV 40.637/00. Published by Carus Verlag (CA.4063700).
ISBN 9790007075095. 8.27 x 11.69 inches. Key: G major. Language: Latin.
The Messe no. 6 aux cathédrales by Charles Gounod (1818–1893) is a reworking of the Messe no. 3 aux communautés religieuses (for three equal voices) by the composer himself. The work contains no setting of the Benedictus, but instead, in the French tradition, an "O salutaris hostia" and a "Domine Salvam". Its easily comprehensible musical language gives the mass a light, catchy character. Simple musical means are used formatively, shaping the distinctive characteristics of the individual movements. The organ supports the choral parts, which only sing unaccompanied in a few places. "A colorful, entertaining piece of expressive-Romantic choral music, which audiences and performers alike will enjoy" (Württembergische Blätter für Kirchenmusik 2/1992).
Preview: Messe no. 6 aux cathédrales
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