17400506
Messe de Requiem
17400506
17400506
17400506
Copyright Material for Preview Only - Sheet Music Plus
Soli ST(A)TBarB, Coro SST(A)TBarB/SST(A), 2 Fl, 2 Vl, 2 Va, Bassi, Bc - Grade 3
SKU: CA.2100400
Composed by Andre Campra. This edition: Paperbound. French Sacred Music. Carus digital: Sheet music as PDF. Sacred vocal music, Requiem, Mourning, death. Full score. Composed 1695. 104 pages. Duration 50 minutes. Carus Verlag #CV 21.004/00. Published by Carus Verlag (CA.2100400).
ISBN 9790007089153. 8.27 x 11.69 inches. Language: Latin.
André Campra’s Requiem of 1695 is one of the first great settings of the liturgy of the dead in France. It was composed during his time as Kapellmeister at Notre-Dame Cathedral in Paris as a commissioned work in memory of the deceased Archbishop of Paris. The work was so appreciated that from the end of the 18th centu-ry until 1805 parts of it were regularly performed at funerals or memorial services in southern France. Campra envisages four groups of performers: a five-voice Grand Choeur, a two- to three-voice Petit Choeur (which could be drawn from the Grand Choeur), three vocal soloists and an instrumental group designated as a "symphony".
Soli ST(A)TBarB, Coro SST(A)TBarB/SST(A), 2 Fl, 2 Vl, 2 Va, Bassi, Bc - Grade 3
SKU: CA.2100400
Composed by Andre Campra. This edition: Paperbound. French Sacred Music. Carus digital: Sheet music as PDF. Sacred vocal music, Requiem, Mourning, death. Full score. Composed 1695. 104 pages. Duration 50 minutes. Carus Verlag #CV 21.004/00. Published by Carus Verlag (CA.2100400).
ISBN 9790007089153. 8.27 x 11.69 inches. Language: Latin.
André Campra’s Requiem of 1695 is one of the first great settings of the liturgy of the dead in France. It was composed during his time as Kapellmeister at Notre-Dame Cathedral in Paris as a commissioned work in memory of the deceased Archbishop of Paris. The work was so appreciated that from the end of the 18th centu-ry until 1805 parts of it were regularly performed at funerals or memorial services in southern France. Campra envisages four groups of performers: a five-voice Grand Choeur, a two- to three-voice Petit Choeur (which could be drawn from the Grand Choeur), three vocal soloists and an instrumental group designated as a "symphony".
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