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Meeting In The Air
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Copyright Material for Preview Only - Sheet Music Plus
Brass Quintet - Grade 3
SKU: DS.145514
Composed by May Taylor Roberts. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Meter: 4/4. Traditional. Score and parts. Duration 3'15. David E. Smith #145514. Published by David E. Smith (DS.145514).
Key: Ab, eb.
A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The piece takes off immediately with a thematic statement in the trombone, breaking in a duet with the horn. Additional entries keep massing in the lower voices until most of the ensemble is involved. All of a sudden, the upper brass, silently present the tune in block harmonies until the lower brass present a countermelody. Now! Everybody’s involved. Next, a dialog between the upper brass and middle brass takes place as it alternates back and forth. With a modulation in place the tempo goes slow, the tune is in the lower brass- expressive! All of a sudden from bottom to top motives are presented- in stacked chords…. This goes through different transformations until the piece elevates into an uplifting conclusion.
Brass Quintet - Grade 3
SKU: DS.145514
Composed by May Taylor Roberts. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Meter: 4/4. Traditional. Score and parts. Duration 3'15. David E. Smith #145514. Published by David E. Smith (DS.145514).
Key: Ab, eb.
A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The piece takes off immediately with a thematic statement in the trombone, breaking in a duet with the horn. Additional entries keep massing in the lower voices until most of the ensemble is involved. All of a sudden, the upper brass, silently present the tune in block harmonies until the lower brass present a countermelody. Now! Everybody’s involved. Next, a dialog between the upper brass and middle brass takes place as it alternates back and forth. With a modulation in place the tempo goes slow, the tune is in the lower brass- expressive! All of a sudden from bottom to top motives are presented- in stacked chords…. This goes through different transformations until the piece elevates into an uplifting conclusion.
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