541399
Mass in C major
541399
541399
541399
Copyright Material for Preview Only - Sheet Music Plus
Orchestra Soli SATB, Coro SATB, 2 Ctr, Timp, 2 Vl, Bc, [2 Ob, 3 Trb] - Grade 3
SKU: CA.4062700
Spaur Mass. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Carus digital: Sheet music as PDF. Sacred vocal music, Masses, Latin. Full score. Composed circa 1775-1777. KV 258. 64 pages. Duration 20 minutes. Carus Verlag #CV 40.627/00. Published by Carus Verlag (CA.4062700).
ISBN 9790007089764. 10 x 12 inches. Key: C major. Language: Latin.
The relatively unspectacular nature of the "Spaur Mass" may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart’s "important" church works. With regard to scoring, the "Spaur Mass" belongs to the category of the "missa solemnis," but its brevity and its stylistic character belong far more to the "missa brevis." Unlike the "Organ Solo Mass" KV 259, here the soloistic element – both instrumental and vocal – is clearly integrated to the background in favour of the development of the whole ensemble.
Orchestra Soli SATB, Coro SATB, 2 Ctr, Timp, 2 Vl, Bc, [2 Ob, 3 Trb] - Grade 3
SKU: CA.4062700
Spaur Mass. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Carus digital: Sheet music as PDF. Sacred vocal music, Masses, Latin. Full score. Composed circa 1775-1777. KV 258. 64 pages. Duration 20 minutes. Carus Verlag #CV 40.627/00. Published by Carus Verlag (CA.4062700).
ISBN 9790007089764. 10 x 12 inches. Key: C major. Language: Latin.
The relatively unspectacular nature of the "Spaur Mass" may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart’s "important" church works. With regard to scoring, the "Spaur Mass" belongs to the category of the "missa solemnis," but its brevity and its stylistic character belong far more to the "missa brevis." Unlike the "Organ Solo Mass" KV 259, here the soloistic element – both instrumental and vocal – is clearly integrated to the background in favour of the development of the whole ensemble.
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