Margarida Op 3 by Pattapio Silva for Piccolo Solo and Flute Quartet Flute Quartet - Digital Sheet Music

This is an adaptation of Mazurka Margarida Op. 3 by Pattápio Silva, arranged for a chamber ensemble titled Quintet for Piccolo, featuring a solo piccolo accompanied by a flute quartet. The work maintains the original dance form's ternary structure while redistributing the piano accompaniment to create a more accessible version for smaller ensembles. Silva composed this characterful piece in early 20th-century Rio de Janeiro, blending European mazurka rhythms with distinctive Brazilian lyricism. The quintet adaptation follows period performance practices, preserving the original's rhythmic vitality (particularly the characteristic accent on the third beat) and melodic charm, while the flute quartet provides harmonic support. The piccolo part captures the work's playful alternation between minor and major modes, with the quartet recreating the piano's waltz-like accompaniment patterns and harmonic progressions. This version serves piccolo players exploring Brazilian-European fusion repertoire or advanced students mastering rhythmic nuance in chamber settings, while expanding the piccolo's dance music repertoire.

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Details

Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Usages:
School and Community
Number of Pages:
17

Flute Ensemble, Woodwind Ensemble Flute, Piccolo - Level 3 - Digital Download

SKU: A0.1671106

Composed by Patapio Silva. Arranged by Ander. This edition: pdf, streaming. 20th Century, Chamber, Romantic Period. 17 pages. Woods Only Arrangements #1236678. Published by Woods Only Arrangements (A0.1671106).

This is an adaptation of Mazurka Margarida Op. 3 by Pattápio Silva, arranged for a chamber ensemble titled Quintet for Piccolo, featuring a solo piccolo accompanied by a flute quartet. The work maintains the original dance form's ternary structure while redistributing the piano accompaniment to create a more accessible version for smaller ensembles. Silva composed this characterful piece in early 20th-century Rio de Janeiro, blending European mazurka rhythms with distinctive Brazilian lyricism. The quintet adaptation follows period performance practices, preserving the original's rhythmic vitality (particularly the characteristic accent on the third beat) and melodic charm, while the flute quartet provides harmonic support. The piccolo part captures the work's playful alternation between minor and major modes, with the quartet recreating the piano's waltz-like accompaniment patterns and harmonic progressions. This version serves piccolo players exploring Brazilian-European fusion repertoire or advanced students mastering rhythmic nuance in chamber settings, while expanding the piccolo's dance music repertoire.

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