March Sonatina Solo Flute by John McCabe Flute Solo - Sheet Music

By John McCabe

For solo Flute.Composer's Programme Note'March Sonatina is the third in a series of short sonatina-like pieces for soloinstruments, and it was commissioned by the 25th Presteigne Festival of Musicand the Arts with funds provided by the Colwinston Charitable Trust, and it isdedicated to this most loveable of Festivals. The first performance was given byKathryn Thomas on Tuesday 28th August 2007, at St Mary's Church,Kinnerton.It contrasts a slow opening with a quicker central section, and employs a fewspecial flute effects, though not to any great extent. In the middle of the piece, alyrical phrase from Ravel'sminiature Prelude for piano suddenly pops up, andis then varied. It was a surprise to me to find that a high F sharp, on which thesonatina ends, seemed absolutely the right note on which to finish. Theatmosphere of the opening section seems to me to relate closely to a number ofrecent pieces inspired by rainforests.'

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Details

Instrument:
Flute Solo
Genres:
20th Century March
Composers:
John McCabe
Publishers:
Hal Leonard
UPC:
884088671228
EAN:
5020679234167
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
March
Artist:
John McCabe
Usages:
School and Community
Number of Pages:
4
Size:
8.25x11.75 inches
Shipping Weight:
0.09 pounds

Flute

SKU: HL.14041585

Solo Flute. Composed by John McCabe. Music Sales America. Classical. Book [Softcover]. 4 pages. Hal Leonard #NOV161601. Published by Hal Leonard (HL.14041585).

UPC: 884088671228. 8.25x11.75 inches.

For solo Flute.

Composer's Programme Note

'March Sonatina is the third in a series of short sonatina-like pieces for solo
instruments, and it was commissioned by the 25th Presteigne Festival of Music
and the Arts with funds provided by the Colwinston Charitable Trust, and it is
dedicated to this most loveable of Festivals. The first performance was given by
Kathryn Thomas on Tuesday 28th August 2007, at St Mary's Church,
Kinnerton.

It contrasts a slow opening with a quicker central section, and employs a few
special flute effects, though not to any great extent. In the middle of the piece, a
lyrical phrase from Ravel'sminiature Prelude for piano suddenly pops up, and
is then varied. It was a surprise to me to find that a high F sharp, on which the
sonatina ends, seemed absolutely the right note on which to finish. The
atmosphere of the opening section seems to me to relate closely to a number of
recent pieces inspired by rainforests.'

  • HL