5401958
Magnificat Wq 215
5401958
5401958
5401958
Copyright Material for Preview Only - Sheet Music Plus
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, organ (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Organ) - Level 3
SKU: BA.BA07517
Arranged for soloists (SATB) mixed choir (SATB) and organ. Composed by Carl Philipp Emanuel Bach. Arranged by Andreas Kohs. Paperback. Choir & Organ. Arranged for soloists (SATB) mixed choir (SATB) and organ. Organ reduction. Wq 215. Baerenreiter Verlag #BA07517. Published by Baerenreiter Verlag (BA.BA07517).
ISBN 9790006525089. 10.63 x 7.48 inches.
Carl Philipp Emanuel Bach wrote his first great vocal composition, the Magnificat , in 1749 at the age of 35. It bears all the earmarks of “audition music”, i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety, which makes the work a rewarding and colorful challenge for all church choirs.
Special attractions are the work's contrapuntal passages, which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists, chorus and organ is intended as a self contained version accessible to a wide range of choirs , even those with limited financial means.
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, organ (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Organ) - Level 3
SKU: BA.BA07517
Arranged for soloists (SATB) mixed choir (SATB) and organ. Composed by Carl Philipp Emanuel Bach. Arranged by Andreas Kohs. Paperback. Choir & Organ. Arranged for soloists (SATB) mixed choir (SATB) and organ. Organ reduction. Wq 215. Baerenreiter Verlag #BA07517. Published by Baerenreiter Verlag (BA.BA07517).
ISBN 9790006525089. 10.63 x 7.48 inches.
Carl Philipp Emanuel Bach wrote his first great vocal composition, the Magnificat , in 1749 at the age of 35. It bears all the earmarks of “audition music”, i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety, which makes the work a rewarding and colorful challenge for all church choirs.
Special attractions are the work's contrapuntal passages, which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists, chorus and organ is intended as a self contained version accessible to a wide range of choirs , even those with limited financial means.
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