19516939
Magnificat a 4
19516939
19516939
19516939
Copyright Material for Preview Only - Sheet Music Plus
Organ
SKU: CA.3810249
Organ part. Composed by Johann Christian Bach. Edited by Günter Graulich. Stuttgart Urtext Edition: Bach vocal. German title: Magnificat A 4 E 22 - for Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc. Sacred vocal music. Individual part. Warb E 22. 8 pages. Duration 12 minutes. Carus Verlag #CV 38.102/49. Published by Carus Verlag (CA.3810249).
ISBN 9790007215040. 9 x 12 inches. Latin.
At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.
Organ
SKU: CA.3810249
Organ part. Composed by Johann Christian Bach. Edited by Günter Graulich. Stuttgart Urtext Edition: Bach vocal. German title: Magnificat A 4 E 22 - for Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc. Sacred vocal music. Individual part. Warb E 22. 8 pages. Duration 12 minutes. Carus Verlag #CV 38.102/49. Published by Carus Verlag (CA.3810249).
ISBN 9790007215040. 9 x 12 inches. Latin.
At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.
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