634659
Magnificat
634659
634659
634659
Copyright Material for Preview Only - Sheet Music Plus
Soli SATB, Coro SATB, Vc/Cb, Org
SKU: CA.2100305
Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral score. H. Duration 9 minutes. Carus Verlag #CV 21.003/05. Published by Carus Verlag (CA.2100305).
ISBN 9790007100797. 8.27 x 11.69 inches. Language: Latin.
Marc-Antoine Charpentier (1643–1704) set Mary’s Song of Praise from Luke 1, verses 46–55 a total of ten times. The Magnificat in A minor H 80 was probably composed during his time as maître de musique at the Jesuit church of St Louis in Paris, where the work was probably performed for the first time around 1690 at a Marian feast. In keeping with the tradition of the time, Charpentier contrasted stylistically alternating sections – virtuoso solo ariosi or duets, homophonic choral movements, and ornate counterpoint.
Soli SATB, Coro SATB, Vc/Cb, Org
SKU: CA.2100305
Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral score. H. Duration 9 minutes. Carus Verlag #CV 21.003/05. Published by Carus Verlag (CA.2100305).
ISBN 9790007100797. 8.27 x 11.69 inches. Language: Latin.
Marc-Antoine Charpentier (1643–1704) set Mary’s Song of Praise from Luke 1, verses 46–55 a total of ten times. The Magnificat in A minor H 80 was probably composed during his time as maître de musique at the Jesuit church of St Louis in Paris, where the work was probably performed for the first time around 1690 at a Marian feast. In keeping with the tradition of the time, Charpentier contrasted stylistically alternating sections – virtuoso solo ariosi or duets, homophonic choral movements, and ornate counterpoint.
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