646306
Machet die Tore weit
646306
646306
646306
Copyright Material for Preview Only - Sheet Music Plus
Basso continuo
SKU: CA.2070819
Composed by Samuel Ruling. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Machet die Tore weit. Sacred vocal music, Psalms, German, Advent. Individual part. Composed circa 1620. SWV Anh. 8. 4 pages. Duration 6 minutes. Carus Verlag #CV 20.708/19. Published by Carus Verlag (CA.2070819).
ISBN 9790007197452. 9 x 12 inches. Key: F-dur (f major). Language: German.
This composition, which survives in five manuscripts, is predominantly attributed to Heinrich Schütz, but does not fit in well stylistically with the rest of Schütz's oeuvre. In one of the manuscripts, however, Schütz's name has been erased and "M. Samuelis Rülingij" is noted instead, which points to the Dresden Kreuzkantor and later archdeacon at the Kreuzkirche Samuel Rüling. Could it be that Schütz revised one of Rüling's compositions? The Dresden Schütz researcher Wolfram Steude (1931-2006) saw breaks in the composition that could possibly support such ‘teamwork’. The composition with its alternation of eight-part motet-like sections with three-part "intermedia" (SST, Bc) is easy to perform and rich in variety. An unusual composition for the Christmas repertoire.
Basso continuo
SKU: CA.2070819
Composed by Samuel Ruling. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Machet die Tore weit. Sacred vocal music, Psalms, German, Advent. Individual part. Composed circa 1620. SWV Anh. 8. 4 pages. Duration 6 minutes. Carus Verlag #CV 20.708/19. Published by Carus Verlag (CA.2070819).
ISBN 9790007197452. 9 x 12 inches. Key: F-dur (f major). Language: German.
This composition, which survives in five manuscripts, is predominantly attributed to Heinrich Schütz, but does not fit in well stylistically with the rest of Schütz's oeuvre. In one of the manuscripts, however, Schütz's name has been erased and "M. Samuelis Rülingij" is noted instead, which points to the Dresden Kreuzkantor and later archdeacon at the Kreuzkirche Samuel Rüling. Could it be that Schütz revised one of Rüling's compositions? The Dresden Schütz researcher Wolfram Steude (1931-2006) saw breaks in the composition that could possibly support such ‘teamwork’. The composition with its alternation of eight-part motet-like sections with three-part "intermedia" (SST, Bc) is easy to perform and rich in variety. An unusual composition for the Christmas repertoire.
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