Lobe den Herren, meine Seele Cantata based on Psalm 103 – Urtext by Johann Kuhnau STB - Sheet Music

By Johann Kuhnau

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau’s stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored – the second work is the cantata Christ lag in Todes-Banden (PB 32034) –, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory "Sonata" can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d’amore and continuo.

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Details

Ensembles:
STB SSATB 3-Part Orchestra Mixed Choir
Genres:
Baroque Period
Composers:
Johann Kuhnau
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004351246
Format:
Part
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Kuhnau
Usages:
Psalms
Number of Pages:
4
Size:
10 x 12.5 inches
Shipping Weight:
0.1 pounds

Viola (solos: STB – choir: SSATB – 0.0.0.1 – 2.0.3.0 – str – bc)

SKU: BR.OB-32091-19

Cantata based on Psalm 103 – Urtext. Composed by Johann Kuhnau. Edited by David Erler. This edition: stapled. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 4 pages. Duration 15:00. Breitkopf and Haertel #OB 32091-19. Published by Breitkopf and Haertel (BR.OB-32091-19).

ISBN 9790004351246. 10 x 12.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau’s stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored – the second work is the cantata Christ lag in Todes-Banden (PB 32034) –, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory "Sonata" can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d’amore and continuo.