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Volume 5. High Voice (including Der Geistertanz D 116). Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09105. Published by Baerenreiter Verlag (BA.BA09105).
ISBN 9790006530540. 11.81 x 9.06 inches. Language: German. Preface: Prégardien, Christoph / Staier, Andreas / Dürr, Walther.
As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch’s Thematic Catalogue which means that in principle they are arranged chronologically.
The lieder in volume five were composed in the years 1811 to 1814. The first – "Hagars Klage" (D 5), dated 30 March 1811 – is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811–1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg’s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ("Klaglied", D 23), which – the only one of these songs – was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade "Der Taucher" (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ("Des Teufels Lustschloss", D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Volume 5. High Voice (including Der Geistertanz D 116). Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09105. Published by Baerenreiter Verlag (BA.BA09105).
ISBN 9790006530540. 11.81 x 9.06 inches. Language: German. Preface: Prégardien, Christoph / Staier, Andreas / Dürr, Walther.
As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch’s Thematic Catalogue which means that in principle they are arranged chronologically.
The lieder in volume five were composed in the years 1811 to 1814. The first – "Hagars Klage" (D 5), dated 30 March 1811 – is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811–1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg’s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ("Klaglied", D 23), which – the only one of these songs – was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade "Der Taucher" (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ("Des Teufels Lustschloss", D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Hagars Klage D 5
Leichenfantasie D 7
Der Vatermoerder D 10
Klaglied op. post 131,3 D23
Totengraeberlied D 44
Die Schatten D 50
Die Verklaerung D 59
deutsch von Johann Gottfried von Herder
Pensa che questo istante D 76
Der Taucher D 77
Adelaide D 95
Trost. An Elisa D 97
Erinnerungen D 98
Andenken D 99
Geisternaehe D 100
Erinnerung D 101
Die Betende D 102
Die Befreier Europas in Paris D 104
Lied aus der Ferne D 107
1. Fassung
2. Fassung
Der Abend D 108
Lied der Liebe D 109
Romanze D 114
An Laura D 115
als sie Klopstocks Auferstehnungslied sang
Der Geistertanz D 116
Preview: Lieder, Volume 5
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