Let There Be Peace On Earth by Sy Miller Brass Quartet - Digital Sheet Music

By Jill Jackson

The inspirational standard "Let There Be Peace On Earth" is presented here in a tender arrangement for unaccompanied Trombone quartet. It begins with an unaccompanied solo for the first eight measures, then the additional voices enter, expanding from that unison into a broader harmonic texture that employs a fair amount of suspensions and tension/release throughout. The register of the 1st trombone part is not very forgiving, but will reward players with a lyrical high range, so this part is provided in both bass and tenor clef to best suit your players’ reading desires. Alternatively, a Bb Flugelhorn part is included that could turn this into a mixed brass ensemble without as significant of a range requirement. The 2nd and 3rd parts shouldn’t pose nearly so much of a range challenge but still briefly ascend to Ab and F# respectively. This hopeful and introspective piece will make a fine addition as an inspirational ballad on your quartet program!

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Brass Ensemble,Trombone Quartet Bass Trombone,Flugelhorn - Level 4 - Digital Download

SKU: A0.1045905

Composed by Jill Jackson and Sy Miller. Arranged by Aaron Hettinga. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and parts. 11 pages. Aaron Hettinga #650482. Published by Aaron Hettinga (A0.1045905).

The inspirational standard "Let There Be Peace On Earth" is presented here in a tender arrangement for unaccompanied Trombone quartet. It begins with an unaccompanied solo for the first eight measures, then the additional voices enter, expanding from that unison into a broader harmonic texture that employs a fair amount of suspensions and tension/release throughout. The register of the 1st trombone part is not very forgiving, but will reward players with a lyrical high range, so this part is provided in both bass and tenor clef to best suit your players’ reading desires. Alternatively, a Bb Flugelhorn part is included that could turn this into a mixed brass ensemble without as significant of a range requirement. The 2nd and 3rd parts shouldn’t pose nearly so much of a range challenge but still briefly ascend to Ab and F# respectively. This hopeful and introspective piece will make a fine addition as an inspirational ballad on your quartet program!

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