Leonore Op. 72 Overture No. 3 to the Opera – Urtext by Ludwig van Beethoven Orchestra - Sheet Music

By Ludwig van Beethoven

Urtext virgin territory: the overture Leonore No. 3 To this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings. For his new edition of the "Leonore" Overture, which is still wrongly labeled as "No. 3" to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977. This score was most likely used by the conductor in 1806, and it helps clear up the previously unresolved textual problems of the work, such as, for example, the famous Presto passage in m. 514.For his new edition of the Leonore Overture, which is still wrongly labeled as "No. 3" to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977.

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Details

Ensembles:
Orchestra
Genres:
Opera Classical Period Romantic Period
Composers:
Ludwig van Beethoven
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Score Library
ISBN:
9790004212301
Format:
Study Score
Item types:
Physical
Artist:
Ludwig van Beethoven
Usages:
School and Community
Number of Pages:
72
Size:
6.5 x 9 inches
Shipping Weight:
0.43 pounds

Orchestra (2.2.2.2 – 4.2.3.0 – timp – str)

SKU: BR.PB-5306

Overture No. 3 to the Opera – Urtext. Composed by Ludwig van Beethoven. Edited by Christian Rudolf Riedel. Orchestra; stapled. Partitur-Bibliothek (Score Library). Overture; Classical. Study Score. 72 pages. Duration 12'. Breitkopf and Haertel #PB 5306. Published by Breitkopf and Haertel (BR.PB-5306).

ISBN 9790004212301. 6.5 x 9 inches.

Urtext virgin territory: the overture Leonore No. 3 To this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings. For his new edition of the "Leonore" Overture, which is still wrongly labeled as "No. 3" to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977. This score was most likely used by the conductor in 1806, and it helps clear up the previously unresolved textual problems of the work, such as, for example, the famous Presto passage in m. 514.

For his new edition of the Leonore Overture, which is still wrongly labeled as "No. 3" to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977.