20061706
Laudate Dominum
20061706
20061706
Laudate Dominum 4-Part scores gallery preview page 1
Laudate Dominum 4-Part scores gallery preview page 2
Laudate Dominum 4-Part scores gallery preview page 3
Laudate Dominum 4-Part scores gallery preview page 4
Laudate Dominum 4-Part scores gallery preview page 5
Laudate Dominum 4-Part scores gallery preview page 6
Laudate Dominum 4-Part scores gallery preview page 7
Laudate Dominum 4-Part scores gallery preview page 8
Laudate Dominum 4-Part scores gallery preview page 9
Laudate Dominum 4-Part scores gallery preview page 10
Laudate Dominum 4-Part scores gallery preview page 11
Laudate Dominum 4-Part scores gallery preview page 12
Laudate Dominum 4-Part scores gallery preview page 13
Laudate Dominum 4-Part - Sheet Music
Laudate Dominum 4-Part - Sheet Music page 2
Laudate Dominum 4-Part - Sheet Music page 3
Laudate Dominum 4-Part - Sheet Music page 4
Laudate Dominum 4-Part - Sheet Music page 5
Laudate Dominum 4-Part - Sheet Music page 6
Laudate Dominum 4-Part - Sheet Music page 7
Laudate Dominum 4-Part - Sheet Music page 8
Laudate Dominum 4-Part - Sheet Music page 9
Laudate Dominum 4-Part - Sheet Music page 10
Laudate Dominum 4-Part - Sheet Music page 11
Laudate Dominum 4-Part - Sheet Music page 12
Laudate Dominum 4-Part - Sheet Music page 13

Ships to you

Laudate Dominum Motet 4-Part - Sheet Music

Coro SATB (mit Stimmteilungen)

SKU: CA.738800

Motet. Composed by Pietro Ferrario. Contemporary Choir Music. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Motets, Praise and thanks. Score. Composed 2013. Duration 6 minutes. Carus Verlag #CV 07.388/00. Published by Carus Verlag (CA.738800).

ISBN 9790007164379. 8.27 x 11.69 inches. Language: Latin.

Laudate Dominum is a charming motet beginning with a calm ostinato bass line. The other voices enter one by one, until the pretty theme in the altos, central idea of the piece, completed with a counterpoint in the sopranos. After a short series of heavenly variations, the middle sections begins, more rhythmic, vigorous and harmonically various. A triumphant repetition of the main theme in the tenors introduces the last part of the piece, initially based on the same material of the first one, but then continuing with a long and expressive Coda that completes the work with bright solemnity.