Lauda For Cello Or Viola, Piano And Op Electric Guitar Score And Parts for cello or viola, piano and optional electric guitar by Gavin Bryars Cello - Sheet Music

By Gavin Bryars

In 2001, Gavin Bryars began writing a number of pieces based on a large collection of 13th century semi-religious songs, known as 'Lauda', which would have been sung outside churches and in other public places. To date, Bryars has written around 40 of his own 'laude' for a variety of instrumentations including solo voice, voices and ensemble and even choir. Lauda (con sordino) was written in 2002 as a purely instrumental version and although it has been reinvented for the present day, it retains the purity and austerity of the original style. This is a stunningly beautiful work and a perfect introduction to the sound world of Gavin Bryars.

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Details

Instrument:
Cello Electric Guitar Piano Accompaniment Viola Solo
Genres:
20th Century
Composers:
Gavin Bryars
Publishers:
Schott Music
UPC:
884088415051
ISBN:
9790220130649
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Level:
Intermediate Advanced
Artist:
Gavin Bryars
Usages:
Praise
Size:
9.0x12.0x0.092 inches
Number of Pages:
32
Shipping Weight:
0.39 pounds

Cello or viola and piano and optional electric guitar - intermediate to difficult

SKU: HL.49017699

For cello or viola, piano and optional electric guitar. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. String. Score and parts. Composed 2002. 32 pages. Duration 10'. Schott Music #ED13173. Published by Schott Music (HL.49017699).

ISBN 9790220130649. UPC: 884088415051. 9.0x12.0x0.092 inches.

In 2001, Gavin Bryars began writing a number of pieces based on a large collection of 13th century semi-religious songs, known as 'Lauda', which would have been sung outside churches and in other public places. To date, Bryars has written around 40 of his own 'laude' for a variety of instrumentations including solo voice, voices and ensemble and even choir. Lauda (con sordino) was written in 2002 as a purely instrumental version and although it has been reinvented for the present day, it retains the purity and austerity of the original style. This is a stunningly beautiful work and a perfect introduction to the sound world of Gavin Bryars.