17390571
Last Judgment
17390571
17390571
17390571
Copyright Material for Preview Only - Sheet Music Plus
Soli SSSATB, Coro SSATB, 2 Vl, 2 Va, Bc, [2 Trb] - Grade 2
SKU: CA.3601900
Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. This edition: Paperbound. Carus digital: Sheet music as PDF. Sacred vocal music, Oratorios. Full score. BuxWV Anh. 3. 176 pages. Duration 137 minutes. Carus Verlag #CV 36.019/00. Published by Carus Verlag (CA.3601900).
ISBN 9790007090869. 8.27 x 11.69 inches. Language: German.
There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jüngste Gericht, for St. Mary’s Church in Lübeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source.
Soli SSSATB, Coro SSATB, 2 Vl, 2 Va, Bc, [2 Trb] - Grade 2
SKU: CA.3601900
Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. This edition: Paperbound. Carus digital: Sheet music as PDF. Sacred vocal music, Oratorios. Full score. BuxWV Anh. 3. 176 pages. Duration 137 minutes. Carus Verlag #CV 36.019/00. Published by Carus Verlag (CA.3601900).
ISBN 9790007090869. 8.27 x 11.69 inches. Language: German.
There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jüngste Gericht, for St. Mary’s Church in Lübeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source.
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