3772672
Lament
3772672
3772672
Lament Chamber Music scores gallery preview page 1
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Lament by Ellen Taaffe Zwilich Chamber Music - Sheet Music
Lament by Ellen Taaffe Zwilich Chamber Music - Sheet Music page 2

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Lament For Cello and Piano by Ellen Taaffe Zwilich Chamber Music - Sheet Music

By Ellen Taaffe Zwilich
Chamber Music Cello, Piano

SKU: PR.144404190

For Cello and Piano. Composed by Ellen Taaffe Zwilich. This edition: saddle-wire stitch. Sws. Score and parts. With Standard notation. Composed 2000. Duration 0:07:00. Theodore Presser Company #144-40419. Published by Theodore Presser Company (PR.144404190).

UPC: 680160030385.

Lament was written in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them. Those of us who worked closely with Judy knew of her long struggle with illness (almost the length of her tenure as Executive Director of Carnegie Hall) and how hard she fought for life. Lament was my immediate and personal response to her loss. In this piece the challenges for the performer are all musical: finding and projecting the line from beginning to end; using rubato for expressive and formal purposes; shaping phrases; achieving variety of color; and employing all of these dimensions to create a spontaneous and personal performance.
Lament was written in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them. Those of us who worked closely with Judy knew of her long struggle with illness (almost the length of her tenure as Executive Director of Carnegie Hall) and how hard she fought for life. Lament was my immediate and personal response to her loss.In this piece the challenges for the performer are all musical: finding and projecting the line from beginning to end; using rubato for expressive and formal purposes; shaping phrases; achieving variety of color; and employing all of these dimensions to create a spontaneous and personal performance.
Lament was written in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them.xa0 Those of us who worked closely with Judy knew of her long struggle with illness (almost the length of her tenure as Executive Director of Carnegie Hall) and how hard she fought for life.xa0 Lamentxa0was my immediate and personal response to her loss.In this piece the challenges for the performer are all musical: finding and projecting the line from beginning to end; using rubato for expressive and formal purposes; shaping phrases; achieving variety of color; and employing all of these dimensions to create a spontaneous and personal performance.