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Orchestra 2+Picc.2.2.2: 4.2.3.1: Hp: Str (4-4-3-3-3 in set): Solo Voice
SKU: AP.36-A307201
Composed by Giuseppe Verdi and Libretto by Francesco Maria Piave. Chamber Orchestra. Kalmus Opera Library. Score. LudwigMasters Publications #36-A307201. Published by LudwigMasters Publications (AP.36-A307201).
ISBN 9798888527030. UPC: 676737949068. English.
La Traviata (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880's that the composer's and librettist's original wishes were carried out and realistic productions were staged. La Traviata has become immensely popular and is among the most frequently performed of all operas. This excerpt from the end of Act 1 is among the most well-known in opera, where Violetta wonders if Alfredo could be her one great love (È strano!... Ah, fors' è lui - Ah, perhaps he is the one), but decides that she needs her freedom (Sempre libera - Always free.) Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Hp: Str (4-4-3-3-3 in set): Solo Voice.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Orchestra 2+Picc.2.2.2: 4.2.3.1: Hp: Str (4-4-3-3-3 in set): Solo Voice
SKU: AP.36-A307201
Composed by Giuseppe Verdi and Libretto by Francesco Maria Piave. Chamber Orchestra. Kalmus Opera Library. Score. LudwigMasters Publications #36-A307201. Published by LudwigMasters Publications (AP.36-A307201).
ISBN 9798888527030. UPC: 676737949068. English.
La Traviata (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880's that the composer's and librettist's original wishes were carried out and realistic productions were staged. La Traviata has become immensely popular and is among the most frequently performed of all operas. This excerpt from the end of Act 1 is among the most well-known in opera, where Violetta wonders if Alfredo could be her one great love (È strano!... Ah, fors' è lui - Ah, perhaps he is the one), but decides that she needs her freedom (Sempre libera - Always free.) Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Hp: Str (4-4-3-3-3 in set): Solo Voice.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Preview: La Traviata: Act I Finale, Scena ed Aria: Ah fors' e lui; Sempre libera (soprano) (excerpt)
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