18334851
Kyrie in C
18334851
18334851
18334851
Copyright Material for Preview Only - Sheet Music Plus
Coro SATB, 2 Ob, 2 Fg, 2 Ctr, Timp, 2 Vl, Va, Bc
SKU: CA.5132300
Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbé Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Carus digital: Sheet music as PDF. Sacred vocal music, Mass sections. Full score. Composed 1790 (terminus post quem). KV 323. 24 pages. Duration 3 minutes. Carus Verlag #CV 51.323/00. Published by Carus Verlag (CA.5132300).
ISBN 9790007092160. DIN A4 (landscape format) inches. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart’s original drafts were so extensive and well advanced that Abbé Maximilian Stadler, Mozart’s friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter.
Coro SATB, 2 Ob, 2 Fg, 2 Ctr, Timp, 2 Vl, Va, Bc
SKU: CA.5132300
Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbé Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Carus digital: Sheet music as PDF. Sacred vocal music, Mass sections. Full score. Composed 1790 (terminus post quem). KV 323. 24 pages. Duration 3 minutes. Carus Verlag #CV 51.323/00. Published by Carus Verlag (CA.5132300).
ISBN 9790007092160. DIN A4 (landscape format) inches. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart’s original drafts were so extensive and well advanced that Abbé Maximilian Stadler, Mozart’s friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter.
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