Kyle Creed - Clawhammer Banjo Master by Bob Carlin Banjo - Sheet Music

By Bob Carlin

Kyle Creed Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Kyle Creed, with modern interpretations by Bob Carlin and Dan Levenson. This book is the first in a series of transcriptions of tunes from the old masters--in this case, Kyle Creed--who gave definition to our style of old time clawhammer banjo playing. The repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio. The recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.

Not available
This item is not available for purchase.

Details

Instrument:
Banjo
Composers:
Bob Carlin
Publishers:
Mel Bay Publications, Inc
ISBN:
9780786690435
Format:
Book and Digital Audio
Item types:
Physical
Instructionals:
Methods and More
Level:
Beginning Intermediate
Artist:
Bob Carlin
Usages:
School and Community
Size:
8.75 x 11.75 inches
Number of Pages:
64
Shipping Weight:
0.63 pounds

Banjo (clawhammer) - Beginning-Intermediate

SKU: MB.22137M

Composed by Bob Carlin. This edition: Saddle Stitch. Banjo: Clawhammer, Method, Solos and Duets, Saddle-stitched. Clawhammer Banjo Masters. Method. Book and online audio. 64 pages. Mel Bay Publications, Inc #22137M. Published by Mel Bay Publications, Inc (MB.22137M).

ISBN 9780786690435. 8.75 x 11.75 inches.

Kyle Creed Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Kyle Creed, with modern interpretations by Bob Carlin and Dan Levenson. This book is the first in a series of transcriptions of tunes from the old masters--in this case, Kyle Creed--who gave definition to our style of old time clawhammer banjo playing. The repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio. The recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.